Compact Snap.
Heel Tap.
Chilled train door
Against her back
Startles
Sections of skin
Hidden
Inches
Alive
Again
Above
A mine is buried
Under the weight of an
Invasion of ingenuity
And handcuffed
Harboured labours.
He strained
Even so...
She's fairly sure the expanse of
skin
fine hairs
jointed bone
stretched muscle
and mind
That arched upward to gain
Torched fingertips
Touch
Wasn't just an outline
Or caricature
Or figment
Of features
But if it is
A fracture
Then she'll keep this
Fought
Marked
And tied
Eyes closed.
Hogan
2008-12-29 16:44:39
I like this piece. Maybe because of the extremeness of it, or what I perceive as the extremeness in it. You always capture, for me, the tension, sensitivity and insecurity of, dare I say it, the female voice. Male, martial imagery ("a mine is buried") contrasted with the much more feminine "skin" and "fine hairs". It's not so much about "the female" as gender relations.
Anyway, I could be way off. I'm no good with poetry.
And welcome to the site!!!
Jackson
2008-12-31 18:06:29
How amazing it is to chance upon the same scene in different genres
identitykrysis
2009-01-01 15:15:38
No good with poetry. Psshaw (or some variation of scornful, yet jovial sentiment). I always get a bit taken aback when I actually get real feedback regarding my poems. You're right Matt, erotic and violent has been a standing theme in the last year of whatever I've written, so I'm excited that it comes across even in this one, which I think is one of my more tame pieces encompassing that theme. You're pretty much on the money with your insights. I've played around with this piece a fair amount since I first posted it on my blog. But I'm still a bit unsure about my ending. I keep thinking about Jeff and feel the urge to stray from such an obvious conclusion.
Thanks again for telling me about this site. I'm pretty damn excited about it!
identitykrysis
2009-01-01 15:16:56
Haha. Baggage. So appropriate. I'd love to see the scene you're speaking of.
Jackson
2009-01-09 15:41:17
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